Est. the golden age · 47 sheets · every one real

The poster promised the impossible.

Museum-grade prints of the golden age of stage magic. Every sheet in this house is a real pre-1931 stone lithograph — the devils, the levitations, the all-seeing eyes — restored and printed in the theatre formats they were made for.

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The flagship six

The house hangs by collection

Not thousands of designs — forty-seven sheets, curated into the six stories the golden age actually told.

IThe Spirits"Do the spirits come back?" Thurston séance poster — Do the Spirits Come Back? IIThe MantleThe great magician. Thurston the Great Magician lithograph IIIThe Man Who KnowsYour question, answered. Alexander, The Man Who Knows — red turban portrait IVCarter the GreatThe devil, outplayed. Carter the Great — Do the Dead Materialize? VThe MasqueradeThe marvelous Chinese conjuror (who was neither). Chung Ling Soo portrait lithograph VIThe Escape KingNothing holds him. Review lane · publishes with sign-off

The price list

Five formats. The theatre's own.

Giclée on archival rag · sized to the trade's historical formats
FormatPriceAs the theatres hung it
Lobby Card$458×12 — the foyer easel card.
Window Card$9512×18 — the shop-window announcement.
Half-Sheet$18516×24 — over the box office.
One-Sheet$34024×36 — the standard bill.
Theatre One-Sheet$42027×41 — full theatrical size, for the sheets whose scans can carry it.

Each sheet lists only the sizes its scan resolution honestly supports — a piece that can't carry a One-Sheet is never sold at one.

The house rules

True stories, or none

Every sheet is real

Every piece in the catalog is a genuine pre-1931 lithograph from verified public-domain scans — Library of Congress, the Friedländer archive, the museum collections. We restore the artifact; we never invent one.

We sell the truth with the artifact

The era's most famous "Chinese" conjuror was William Robinson, an American in yellowface, dead by his own bullet-catch in 1918. The Masquerade collection names the man and the masquerade plainly — the poster is the evidence.

Some names are not ours to market

The most famous name in escape remains actively claimed, so the house sells that era as history — the artifact, never the name as our marketing — with publicity review before any piece publishes.

Sheets in the house · 47
Flagship collections · 6
Rights gate · PD pre-1931, verified
Print sizes per sheet · only what the scan carries
Invented pieces · none, ever

Hang the impossible.

Forty-seven sheets from the age when a poster had to sell a miracle by Saturday.

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